Zeiss Wide Angle 25mm f/2.0 Distagon T* ZF.2 Series Manual Focus Lens for Nikon F (AI-S) Bayonet SLR System. Review| Categories | Wide angle |
| Product Code | B006O91E5G |
| Product Rating |  |
| Price | $1,699.00 |
| Where To Buy | See More Details |
| Customer Review | See More Reviews |
This all is while many recommended regarding Zeiss Wide Angle 25mm f/2.0 Distagon T* ZF.2 Series Manual Focus Lens for Nikon F (AI-S) Bayonet SLR System..
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Product Details
- Brand: Zeiss
- Model: 1871-767
- Dimensions: 6.00" h x
6.00" w x
4.00" l,
1.26 pounds
Features
- Front & Rear Lens Caps
- Lens Hood
- Warranty
- Front & Rear Lens Caps
- Lens Hood
- Warranty
Product Description
Through the special optical design and the targeted selection of optical glass, chromatic aberrations are virtually eliminated on the Distagon T* 2/25. The effective correction of distortion and field curvature is attributable to the inclusion of two aspheric lens surfaces. The floating elements design ensures high quality across the entire image field. The Distagon T* 2/25 is practically distortion-free. With outstanding image quality even at maximum aperture, the Distagon T* 2/25 proves particularly advantageous in indoor photography without the use of a tripod even in difficult lighting conditions. With this lens, you can take wide-angle shots which look natural and dynamic at the same time, thanks to the large angle of view. Whatever the application, this lens goes beyond the bounds of creativity.
Customer Reviews
Most helpful customer reviews
3 of 3 people found the following review helpful.
It's really, really good. That should about cover it. Oh, you want details?
By Aperture Science
Review from Lens Rentals dot comThe Zeiss ZF.2 25mm f2 is a new and greatly improved version of the previous Zeiss 25mm f2. Despite the design overhaul, the lens still maintains it's Distagon roots. The most obvious change is the increase in maximum aperture. This opens the 25mm focal length for low-light shooters. But delve a little deeper, and there are several other key changes. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existant. Using a floating element design, distortion is no longer a concern. This makes the ZF.2 25mm f2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the ZF.2 25mm f2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation.One key difference that should be pointed out is the new Zeiss 25mm f2 doesn't focus as close as the the previous f2.8 version. This makes the focus throw of the new f2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters, this will be a welcome change. Like all other ZF.2 lenses, you have full aperture control from the camera, as well as the manual aperture ring for use with older Nikon SLRs and other mounts via adapters.Roger's TakeRoger CicalaPresident of LensRentals.comIt's really, really good. That should about cover it. Oh, you want details? OK.It's an interesting lens. Unlike previous versions in this focal range there is very little field curvature (unlike the 25mm f/2.8). In terms of pure resolution it's superb, generating numbers in our testing similar to the legendary 21mm f/2.8. Sharper than the Nikon or Canon 24mm f/1.4 lenses when shot at f/2.0. Sharper than any 35mm, 50mm, or 85mm lens we stock at f/2.0. And that's both in the center and overall (weighted average) sharpness.But there's a bit of a catch: that's for testing at middle distances (10 to 25 feet). But at infinity (where the MTF charts are made) it doesn't seem quite as good (it's still good, but not amazingly good), so there are probably better choices for landscape work. But 25mm isn't really a landscape focal length for most people, it's more for reportage, street shooting, architecture, and video work. For these purposes, at middle distances, I'm not sure there's a better lens available.I will post my own personal review soon.
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