Sony SEL1018 10-18mm Wide-Angle Zoom Lens Review| Categories | Wide angle |
| Product Code | B0096W1ONK |
| Product Rating |  |
| Price | $848.00 |
| Where To Buy | See More Details |
| Customer Review | See More Reviews |
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Product Details
- Color: Black
- Brand: Sony
- Model: SEL1018
- Released on: 2012-09-10
- Dimensions: 4.50" h x
4.50" w x
5.83" l,
.90 pounds
Features
- 10-18 mm super wide-angle zoom lens with a maximum aperture of F4
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Superbly detailed images
- Built-in OSS image stabilization (Optical SteadyShot)
- 10-18 mm super wide-angle zoom lens with a maximum aperture of F4
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Superbly detailed images
- Built-in OSS image stabilization (Optical SteadyShot)
Product Description
Super wide-angle zoom lenses are ideal for taking photos of sweeping landscapes and producing striking images with emphasized perspective. For mid- to high-level users who seek a wider minimum focal length than offered by standard wideangle zoom lenses, the SEL-1018 is the ideal choice.
Customer Reviews
Most helpful customer reviews
16 of 18 people found the following review helpful.
This is the Sony NEX system's 2nd best lens
By Lars Milano
This is the second best lens for Sony NEX users. The best is still the 24mm F/1.8 Zeiss by far and I'm not even including the upcoming Sony 35mm f/1.8 since I haven't tried it yet. In my book, the 10-18 F/4 takes the honors as 2nd best mostly because of its usability, the focal range it covers (I love ultra-wides), and the fixed aperture f/4 paired with optical stability, which works very well in affording you the extra stop or so for low light shooting. Optically, it's only mediocre, and not even as sharp as some other E-mount lenses like the Zeiss, the 50mm f/1.8, and the Sigma 30mm E-mount. But the value of a lens isn't always about sharpness. It's about what it does for you. The 10-18 F/4 is a nice effort by Sony because it finally gives NEX users a relatively compact, quality zoom, with respectable minimum focus distance, in a much needed focal range. It has solid construction and although it's mostly plastic on the outside, it's very high quality plastic. The zoom and focus rings are as smooth as it gets and are very well damped with Leica-like feel when you turn them. My example doesn't have zoom creep at all and there are no issues with build quality. A nice lens hood in included and can be mounted in reverse for storage. Unfortunately, no lens case or even a pouch is included (unlike the Zeiss 24) which is a disappointment considering the $850 price tag.Regarding sharpness, I'm not saying this lens is soft but compared to Nikon's 16-35 F/4 and 14-24 F/2.8, it is. But that's very stiff competition and unfair is you look at the price delta. The SEL1018 has soft corners wide open but when stopped down a bit, it's plenty sharp enough. Only the most discerning pixel peepers will complain. The images I'm getting from these on an NEX-5R and NEX-6 at around f/8 are excellent. Color is great and bokeh is unremarkable which is par for the course with ultra-wides. Distortion is weird and non-linear and more prominent at 10mm. Not sure how easy this distortion is to fix since lens correction profiles for photoshop are not available yet at the time of this writing. It's not terrible as it's perfectly usable for landscapes, but may not be ideal for architecture much like the Nikon 16-35 f/4 isn't (though that lens is easily correctible with photoshop).AF speed is quick by NEX standards, but that's because the focus travel is short, typical of ultra-wides. Focus-speed slows down quite a bit in low light, again typical of the NEX contrast-detect AF systems. On some photo forums, I've noticed that people have been complaining about why this lens, despite being new, is not currently compatible with Sony's new hybrid AF (phase detect AF) in the NEX-5R and NEX-6. While this is possibly an oversight by Sony that will hopefully be corrected with a lens firmware update, I don't consider it a big deal since I doubt having phase detect would help much on an ultra-wide zoom with a maximum aperture of f/4. It's already fairly quick using contrast-detect and the focus travel is short (so it's easy to get in focus), and perhaps Sony's phase detect only works well with faster lens like the Zeiss 24 and Sony 50 anyway.At $850, I feel this lens is a bit overpriced. But beggars can't be choosers and as an NEX user, new quality lens are always welcome. Definitely recommend this lens to any NEX shooter as they will get lots of use from it.
17 of 20 people found the following review helpful.
Comparison test with Sony 16mm plus Ultrawide converter
By Doctor.Generosity
Sony seems to have a well thought-out product strategy for their NEX series bodies, which are proving to be a big hit. But their lens strategy is confusing. There is not a simple lens roadmap, but a mixture of lenses from different sources, some possibly designed inhouse by Sony, some with the Zeiss name (and inflated price premium for that name), and other lenses which appear to be made for Sony by specialty designers - producers.This scattered, overlapped offering is obvious in their list of ultra-wide e-mount lenses. The first kit lens offered by Sony was a compact 16mm f2.8. Then Sony offered an Ultrawide converter attachment for this (VDL-ECU1) which has an effective focal length about 12.5mm. These two, when attached together, are actually quite good optically, for a total price about 300 bucks if you got the 16 in a kit. In addition, there is the Fisheye Converter (ECL-ECF1) in the same series which has a 180° field (distorted) for just 129 more dollars.Recently Sony came out with the 10-18 mm zoom, f4, with image stabilization, but quite expensive at 850; a completely different approach which almost certainly is designed and made by different people.Having all of these at hand, I performed a direct image quality comparison. To compare the 10-18mm zoom to the 16mm, I set both to f4. When I added the Ultrawide I matched the field of view by setting the zoom to 12.5mm. I didn't bother to compare the Fisheye to the 10-18 mm zoom because the latter cannot match its field of view.These were all JPEGs, not RAW. It is important to understand that modern lenses like both these Sony's are no longer just hunks of glass; they are designed to be used with the in-camera JPEG processing firmware, which undoes the inherent distortions found in most wide angle lenses, along with vignetting and chromatic aberration. For lens design, it is no longer so necessary to depend on the difficult correction of glass elements with additional glass elements, aspherics, etc., as has been the tradition for more than a hundred years. Lenses are now part software, and the manufacturers are rapidly adopting this approach. The digital image processing can be observed directly on both these lenses when one is looking at the LCD image and then fires the shot - you'll watch as the replay image comes up, with the whole field visibly altered by software distortion correction. For this reason it would require a lot of skill and Photoshop time to do the same thing manually starting from the RAW images. The downside for users is that lenses can no longer be used on non-Sony cameras, even in manual mode with a mount adapter, because they will look terrible. But it's now a fact of life; JPEG's are the way these lenses are designed to be used, so that's how they should be evaluated.A summary of my tests of the image quality from the 10-18mm zoom vs. the 16mm (including the converter) is that they are roughly comparable. If one is very picky and studies the finest details, the 16mm has a bit more chromatic aberration but overall may be just slightly nicer than the zoom. Surprisingly, the 16mm+Ultrawide converter images are very good.Which should you buy? Photographers on a budget should consider the "pancake" 16 mm plus the Ultrawide converter. Of course it's inconvenient to attach the converter if you are in a hurry, but the availability of the Fisheye is also a big plus and can't be matched by the 10-18 zoom. The 16 with two converters taken together constitute a rather brilliant and cost effective set and I don't know why Sony promotes them so little.The 10-18mm zoom is a fine lens but don't buy it because you expect it to be optically superior to the little guys; it really isn't. It costs three times as much as the 16+converter and is physically much larger. However, it's obviously more convenient and quicker; having a zoom allows one to frame shots and optimize the sensor area. Also image stabilization, unusual on an ultra-wide, more than offsets the one-stop smaller aperture, permitting slower shutter speeds, and is very much worth having.The 16 and 10-18 lenses are completely different designs - size, cost, convenience, operational quickness - but image quality is actually about the same. If you can't decide, I recommend the 16mm plus the two converters. I put my NEX in movie mode with the Fisheye attached and walked around a party we were having, stopping for conversations and capturing the whole feel of the event - fantastic footage which would be difficult to record any other way.
0 of 0 people found the following review helpful.It is SO nice
By Marx Lives
This lens completes my big items (for my checkbook) agenda. It is small, very nice looking, the ring moves softly and easy. Pictures are sharp enough. I'll be posting some pictures in the item's page soon.
Available now at cheap price, promo discounts and fast shipping. I'm really happy with their features and recommend it to someone wanting for a top quality product with the newest features at an cheap. You can read testimony from buyers to find out more through their experience. Sony SEL1018 10-18mm Wide-Angle Zoom Lens has worked wonders for me and I wish it will do wonders on you too. Why then waste much more time? Enjoy it, you know where you can purchase the best ones.
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