Fujifilm XF 14mm F2.8 Lens Wide Angle Lens Review| Categories | Wide angle |
| Product Code | B0092MD6RQ |
| Product Rating |  |
| Price | $899.95 |
| Where To Buy | See More Details |
| Customer Review | See More Reviews |
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Product Details
- Size: 14mm F2.8
- Color: Black
- Brand: Fujifilm
- Model: XF 14mm F2.8 Lens
- Dimensions: 4.60" h x
4.20" w x
7.30" l,
1.00 pounds
Features
- 14mm F2.8 Lens (21mm Equivalent)
- 10 Elements in 7 groups (inc. 2 asph & 3 abnormal disp. Elements)
- Angle of View: 89 Degrees
- Filter Size: 58mm
- 14mm F2.8 Lens (21mm Equivalent)
- 10 Elements in 7 groups (inc. 2 asph & 3 abnormal disp. Elements)
- Angle of View: 89 Degrees
- Filter Size: 58mm
Product Description
XF 14mm F2.8 lens (21mm equivalent) features 10 elements in 7 groups, 1/3 EV, F22 minimum aperture and 58mm filter size.
Customer Reviews
Most helpful customer reviews
78 of 89 people found the following review helpful.
By Parka
I've no idea why Amazon want to lump the reviews for the lens together. Anyway, my review will be about the 18mm, 35mm and 60mm lens. In the comments section are links to photos and videos I've made.- - - - - FUJIFILM 35MM F/1.4 LENS REVIEW - - - - -+ Solid construction+ Light weight at 187g.+ 52mm thread (same as 18mm lens)+ Lens hood included with rubber cap+ Convenient external aperture ring+ Manual focus ring well damp+ Reasonably sharp wide open, sharper when stopped down+ Stellar image quality, colours+ Beautiful bokeh+ No strong vignetting+ Reasonable AF speed- Lens cap difficult to pinch- Rubber lens hood cap easy to drop off when knocked- Slight chromatic aberration (purple fringing) at wide open- Slight glow to edges at wide open. Visible at 100% only.- Noisy focusing mechanism, video picks it up slightly- Minimum focus distance of 28cm- Have to use EVF when shooting at minimum focus distance. OVF will not focus.- OVF framelines covers less than 100%. Photos will be larger- OVF parallax adjustment of close subjects is significant, but not as drastic as 60mm lensI love the quality of this lens. It makes beautiful pictures with the X-Pro1. Colour and sharpness are close to perfection. The depth of field is also rendered beautifully.The AF speed is reasonable. However, it's challenging to take photos of people at walking speed. Most negative points are not related to the optical quality of the lens.5 stars for image quality, probably 4 stars for other issues.COMPARED TO THE PANASONIC LEICA 25mm f/1.4 MICRO FOUR THIRDS LENSPerformance is very similar. The main difference is the sensor that the lens is used with. The X-Pro1 with its larger sensor has slightly shallower depth of field. I'm surprised and impressed that the depth of field difference isn't much more. Someone obviously picked the right sensor size for Micro Four Thirds. Link to comparison photos are in the comments section below.- - - - - FUJIFILM 18MM F/2 LENS REVIEW - - - - -+ Solid construction, but aperture ring is slightly looser than 35mm lens.+ 116g, light+ 52mm thread (same as 35mm lens)+ Lens hood has rubber cap+ Convenient external aperture ring+ Manual focus ring well damp+ Reasonably sharp wide open, less sharp than 35mm lens.+ Great image quality, colours+ Beautiful bokeh but not much for a wide angle lens+ No visible vignetting+ Reasonable AF speed, faster than 35mm lens- Dust gets inside the lens easily- Lens cap difficult to pinch- Rubber lens hood cap easy to drop off when knocked- Noisy focusing mechanism, video picks it up slightly but less so than 35mm lens.- Slight chromatic aberration (purple fringing) at wide open- Easy to flare- Manual fly-by-wire implementation has lag, impaired by EVF low refresh rate- Minimum focus distance of 18cm- Have to use EVF when shooting at minimum focus distance. OVF will not focus.- OVF framelines covers less than 100%. Photos will be larger- OVF parallax adjustment not that significant for wide angle lensIn terms of optical quality, the 35mm lens is one notch better. However, I still find it a joy to use on the X-Pro1 because that sensor is just too good.I actually use this lens more often than the 35mm lens because I prefer a wider view.4 stars for image quality, probably 4 stars for other issues.- - - - - FUJIFILM 60MM F/2.4 LENS REVIEW - - - - -+ Solid construction+ 215g, light to moderate weight+ 39mm filter thread+ Huge lens hood included. About the size of the lens itself+ Convenient external aperture ring+ Manual focus ring well damp+ Sharp wide open, quality comparable to 35mm lens or better+ Stellar image quality, colours+ Beautiful bokeh+ No visible vignetting+ OVF frameline box covers 100%, but box is smaller, like 20% of the whole viewfinder.+ Non-macro AF speed is near that of 18mm and 35mm lens- Macro AF speed is much slower.- Lens cap difficult to pinch. Doesn't seem tight even when fixed on- Slight chromatic aberration (purple fringing) at wide open- Noisy focusing mechanism, video picks it up slightly.- Minimum focus distance of 26cm- Macro magnification of 0.5x- Have to use EVF when shooting at minimum focus distance. OVF will not focus.- High tendency for background focus when using OVF mode- OVF parallax adjustment is drastic for close subjects. Use EVF- AF Point selection box is bigger than frameline boxThere's a higher tendency for this lens to hunt for focus, especially so for close subjects. Without the macro mode engaged, it's difficult to grab focus near the minimum focus distance of 26cm.Background focus is an issue with OVF mode. The frameline box seems to be only around 20% of the viewfinder. And the focus box is larger. That could be the cause of background focus. You have to shoot EVF to do away with background focus.One major issue I have with this lens is the AF point selection box. The AF point selection box is much larger than the frameline box. When you select a crosshair, that location is mapped to the focus box inside the frameline box. Say you're shooting a portrait with the AF crosshair selection on someone's left eye, the focus box will map nearer to the nose in the frameline box, and that is before the adjustment for parallax. Other lens also use the same AF selection box, but there's no such issue because their frameline box are bigger. Fuji should make the AF point selection grid the same size as the focus box grid for the 60mm lens.I find that the minimum focus distance for macro mode to be around 20cm in actual use. If you're shooting a sensor-size butterfly at 20cm away, you can still fill the whole frame with the butterfly. If you're shooting something smaller, like a spider a quarter the size of the sensor, then it's going to be just 25% of the frame, you can't move closer to fill the frame. Just for comparison sake, the Panasonic 45mm macro M4/3 lens is 1:1 and has a minimum focus distance of 15cm.This lens works well when you're shooting far subjects. For nearer subjects, using the EVF is highly recommended, not just because there's no parallax, but also because of the issue with the AF point selection box.5 stars for image quality, probably 3.5 stars for other issues.Update 24 April 2012:Firmware 1.01 removed the noise from chattering aperture bladesUpdate Sep 2012:Firmware 2.0 made manual focus more responsive, and improved the speed of AF.
24 of 26 people found the following review helpful.
By Ken
I purchased my Fuji XP1, 35mm, 60mm lenses from Japan in March and additionally purchased the 18mm lens from Amazon in May.I use to have Nikon D7000 DSLR, but high quality pro lenses were too pricey and heavy.I thought carefully of what I wanted. Since I'm not a pro and wanted something light for travel and high image quality is one of my top priority, I ultimately decided to switch to Fuji X Pro 1.Today, I'll be sharing my experience with 18mm f/2 lens, 35mm f/1.4, and the 60mm f/2.4 macro.-Fujifilm X-Pro1 18mm F2.0 Lens-This lens is the smallest, lightest, and the cheapest feeling lens out of the three primes that are released.Auto-focus seems faster or equal to Fuji's 35mm lens.Manual and aperture ring feels "disconnected" do to it being focus by wire design and not mechanical.The rubber lens hood cap, lens hood, and lens cap are poorly made. Long explanation short: it easily comes off.So I purchased the EzFoto 52mm Tilted Vented Metal Lens Hood and now it feels better (both now metal finish), looks better, and securely fits on to the lens.I purchased this lens primarily to cover my wide angle needs until Fujifilm releases their 10-24mm f/4 lens (planned for 2013).After using the lens though, I may keep this lens even after 10-24mm lens becomes released.The reason is because you can get really close with this lens (.18m) and at f/2.0, you can have the subject separated from the background even at this wide angle; furthermore, the bokeh is creamy and pleasant when you get it right. When focusing very close, slight change in angle would create an interesting composition/perspective for your photos. I think I would be keeping this lens for those creative shots.-Fujifilm X-Pro1 35mm F1.4 Lens-This lens is a must have for Fuji X Pro 1 user.Auto-focus seems slightly slower or equal to Fuji's 18mm lens.Manual and aperture ring feels "disconnected" do to it being focus by wire design and not mechanical.Similarly with 18mm lens hood accessories, I switched it for the EzFoto 52mm (Non-Tilted) Vented Metal Lens Hood.I purchased this lens primarily as a simple walk around lens for me.Sharp and usable from F/1.4 and the bokeh is creamy and pleasant most of the time.It gave me the similar experience I had with my Nikon 35mm f/1.8 DX lens, but with better bokeh quality (in my opinion).Rather than sharpness, the quality of the bokeh really changes the mood of a picture.In an extreme sense, I was never satisfied with Nikon 35mm f/1.8 lens because the bokeh wasn't to my liking.I also shot an environmental and studio portrait with Fuji 35mm lens and boy was I happy with my images. ("bokehlicious!")This may be trivial, but this lens can focus closer than Nikon's (.28m vs.3m). *The closer you can get, the shallower depth of field you get*.Couldn't be happier with this lens.-Fujifilm X-Pro1 60mm f/2.4 Macro Lens-This lens is the least used when I'm outdoors, but when I'm taking still life shots (indoors) this is the most used.Auto-focus is the slowest. Very difficult to auto-focus very close. However, I use this lens on tripod, set it to manual focus, and check my focus using the magnification function on the LCD for precise focus.Manual and aperture ring feels "disconnected" do to it being focus by wire design and not mechanical.Aperture ring, on my copy, actually feels a bit tighter than the other two lenses above.I purchased this lens, as I mentioned above, primarily for my still life shots.It gains 1/3 stop compared to most competition, but loses that 1:1 reproduction ratio (this lens has 1:2 ratio rating).It's a very sharp lens from wide open and produces creamy bokeh for "macro-close-up" shots.However, for portrait shots, I find the bokeh to be busy most of time and wouldn't recommend it.I would probably wait for the newly announced Fuji 56mm f/1.4 lens (planned for 2013) for portraits.Ultimately, if you understand why you are buying the lenses for, these lenses are all high quality glass and image quality definitely won't disappoint you!
13 of 14 people found the following review helpful.
By Nathan D Jedinak
I jumped on the X-Pro 1 early after release, and wasn't able to get a hold of the 35/1.4 straight away, so I grabbed the 18 and 60. Because I'm more of a wide or normal shooter than tele, I used the 18 as my primary lens for quite some time. I'm really glad I did, as it forced me to get to know the lens well, and form my own opinion. I'm convinced this lens is severely underrated.Tack sharp in a wide central sweet spot wide open, excellent macro and microcontrast, fantastic color reproduction, small and light, with a wonderful manner of drawing... Every bit as good as some of the Leicas I own. What's the negative? Reviews are right about one thing--the corners are never as superlative as the center. The lens is clearly optimized for shooting people, not landscape. I imagine the forthcoming 14mm will suffice for the latter, and have edge to edge sharpness and a perfectly flat field.Flatness of field, really, is the bugaboo of this lens. If you use center point AF and shoot wide open using a focus-and-recompose technique, I guarantee you will be disappointed. The XF 18/2 exhibits fairly pronounced field curvature, so much so that your subject will now be well out of focus. It's critical when shooting the 18 wide open to choose the focus point manually or use the "multi AF" mode which chooses the focus point for you.With that in mind, get close to your subjects, open the aperture, mind the focus point, and enjoy the wonderful manner of drawing this lens provides. A real winner in capable hands!
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