Nikon 16-85mm f/3.5-5.6G AF-S DX ED VR Nikkor Wide-Angle Telephoto Zoom Lens for Nikon DSLR Cameras Review| Categories | Telephoto |
| Product Code | B0013A1XDE |
| Product Rating |  |
| Price | Too low to display |
| Where To Buy | See More Details |
| Customer Review | See More Reviews |
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Product Details
- Color: black
- Brand: Nikon
- Model: 2178
- Released on: 2008-03-01
- Number of items: 1
- Dimensions: 3.40" h x
2.80" w x
2.80" l,
1.07 pounds
Features
- AF-S DX Nikkor 16-85mm f/3.5-5.6G ED VR lens
- Designed For Wse With Nikon DX Digital SLR Cameras Including The D40, D60, D80, D90, and D300
- 24-128mm Effective Focal Length for APS-C Sensor Cameras
- Vibration Reduction Allows In-focus Shots with Longer Exposure Times (up to four shutter speeds slower)
- Ideal For Wide-Angle Shots and Portraiture
- AF-S DX Nikkor 16-85mm f/3.5-5.6G ED VR lens
- Designed For Wse With Nikon DX Digital SLR Cameras Including The D40, D60, D80, D90, and D300
- 24-128mm Effective Focal Length for APS-C Sensor Cameras
- Vibration Reduction Allows In-focus Shots with Longer Exposure Times (up to four shutter speeds slower)
- Ideal For Wide-Angle Shots and Portraiture
Product Description
Nikon 16-85mm f/3.5-5.6G AF-S DX ED VR Nikkor Wide-Angle Telephoto Zoom Lens for Nikon DSLR Cameras (2178)
Customer Reviews
Most helpful customer reviews
324 of 331 people found the following review helpful.
By d80shooter
I have both the 18-135 and the 18-200, yet this lens has become my everyday go to lens for most of my photography. The 18-200 has tremendous versatility and I have made many great photos with it. However the softness and CAs around the edges is quite pronounced and definitely shows in larger prints of 12x18 and larger (I could have a poor copy). My 18-135, on the other hand, is tack sharp throughout the frame and is a great lens. However, the lack of VR is a limiter for using the lens as an everyday lens where low-light, hand held shots are often required.Now to the 16-85VR: As I shoot mostly landscapes and outdoor shots, the 16mm wide end was particularly attractive to me. Only 10% or so of my shots are beyond 85mm, so I don't think I'll miss the 85-200 range. The build quality is about like the 18-200 without the zoom creep. I conducted informal tripod tests of this lens against my sharp 18-135 and the 16-85 actually exhibited better sharpness and contrast all across the frame from 16mm-50mm at all apertures, with the sharpest apertures being f8 and f11 (no surprise there). However, wide open is sharp as well, with very little light falloff at the corners, even at 16mm. In the 60mm - 85mm range, the 18-135 was usually just a bit sharper (except at f-11, where they were equal) for both the center and edges (you have to look really hard and pixel peep at 100% to notice the slight difference). Given the great sharpness (especially in the 16-50mm range), VR, and almost total lack of noticeable CAs, I can highly recommend the 16-85 for a general purpose, on-the-camera-all-the-time lens.
181 of 190 people found the following review helpful.
By Alex
I missed one. 70-300 VR is great, but 70mm is often too much and 18-135mm lens has no VR, so "no flash" in museums, aquariums etc. usually means no pictures.Most Nikon fans probably wonder if this new lens is a worthy alternative to 18-200 VR. 18-200 VR lens covers the range of this lens almost completely, adds plenty on telephoto end and costs about as much. So optical quality of 16-85mm VR lens better be very good. Not many reviews and test results are available on the web at the time of writing. I spent hours searching for test data and found only one French site that had detailed test results.The major weaknesses of 18-200 lens - bad distortion and corner softness are clearly addressed in this new lens. Distortion is about half of what you get with 18-200 lens, and sharpnes is on par with 70-300mm VR. The only weakness is relatively harsh bokeh - out of focus background blurring.My personal experience with the lens is pretty much in line with formal tests. The lens is as sharp as it gets. Tansitions between two objects of different color are usually one pixhel wide. Distortion, noticeable at 16mm is not very bad and quickly disappears as you increase focal length. VR works like a charm. This lens is not fast, but professionals should have incentive to pay 3 times as much for their toys. I think 16-85mm VR and 70-300 VR lenses is probably all amateur like me needs, with light and compact 16-85mm VR lens mounted on camera most of the time.
141 of 147 people found the following review helpful.
By Photobug
As an avid landscape photographer, I have been pleased with the convenience of the Nikkor 18-200VR on my D300 (which I absolutely love!). But I have been hoping to get sharper images and greater focal range by switching over to the new Nikkor 16-85VR paired with the 70-300VR. Overall I am very pleased with the 16-85. My initial observations:- I noticed a significant improvement in the exposure of landscape shots (not as dramatic on indoor shots). Outdoors, I regularly shot with a -.7 adjustment as images tented to be slightly over-exposed with the 18-200. With the 16-85 lens the images came out with much improved exposure. Images just look better to the eye and as noted in comparative histograms from many test shots.- Ditto with improved color accuracy. I was pleasantly surprised to see how much better colors were captured with this lens. Again, this is most noticable in outdoor images.- Improved image sharpness was not as pronounced as hoped but at least equalled or exceeded 18-200 in most instances with a shutter speed of at least 1/20 sec. Surprisingly my initial test shots revealed that between 1/6 to 1/20 the VR was just comparable or in some instances not quite as good as the 18-200 across all focal lengths from 18-85. I often end up shooting at slow speeds and have been impressed with the ability to shoot so low with VRII in the 18-200 and the 16-85.- Balance is better with 18-200. Perhaps this is a minor nit, but for handheld shots, the D300 seems slightly better balanced with the larger 18-200 than with the 16-85. Perhaps this allows for a steadier hand at slow shooting speeds. (note: I realize this may be simpily a matter of having become so comfortable with the feel of the 18-200 on a D300 and this nit may go away the more I use the 16-85.)- The extra 2 degrees of wide angle is nice and looks like it will mean not having to switch over to my 12-24mm zoom quite as much.- The lens action is comparable to the 18-200 - but NO barrel creep. Shooting with the lens barrel angled down in no problem with the 16-85.Overall this is a nice lens which I plan to keep because it delivers such noticeable accuracy improvements in exposure and color...plus the extra 2 degrees and no barrel creep.p.s. I just got the 70-300 yesterday so don't have much comparative testing but overall the image quality in the 70-200 focal range seems to be slightly better than the 18-200, and you have the longer focal length and NO barrel creep.
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